Every person in the world has done something interesting at night that he/she will remember.They wished that they had a camera to shoot and catch the moment, but there was not camera at the moment, or there was but the picture turned out blurry. To catch your moment and make the clearest picture, I will give you some short important clues abut night shots.
Night shots are interesting, but because of the scarce light some areas of photography are restricted. For each shot you need light, and in the night there is a little light. However, hands can make torque shots if we shoot on a bright places like some out there in the city. After all, we can’t be afraid of longer exposure if we choose peaceful objects and a camera placed on a tripod. When shooting night scenes we find ourselves in front of two extremes: one light and another dark. From them arises the contrast where the light stands out in a dark environment. The best time for shooting at night is when it rains or immediately after it, because then the air is clean and light creates reflections on the wet ground. Also in the winter when fresh snow falls whose whiteness is making more light and sparkle. When the soil is dry, night shots don’t give brilliant shots. Here are some clues:
- Motives for nocturnal recording can be: illuminated streets, squares, neon signs, industrial systems, people from the windows and so on. Choosing a place we need to avoid is shooting the lights along the edges of the image and branches and a commitment if it moves the wind, because the longer exposure won’t capture sharp outline.
- The camera should stand on Tripod because the exposure will be longer. Before the lens, a hood should be placed for protection from the rain and light side.Torch will help you to see the set up screen, the exposure and distance. If it is rainy, the camera will be protected which is under an umbrella or it will be shoot from cover.
- Traffic in the city takes place faster than the exposure. We want to avoid to capture bright streaks of automotive reflectors, so we’ll put arm or hat in front of the lens, and when the vehicle passes, continue with exposing. But, if you want to see night traffic vehicles in the picture, the exposure will not interrupt, so we’ll let that vehicle outline their bright mark on the film.